Writing from a subjective POV
The single most devastating note I could ever hear on one of my scripts (if readers were brutally honest enough to say it), would be,...
read moreThe single most devastating note I could ever hear on one of my scripts (if readers were brutally honest enough to say it), would be,...
read moreThe folks at Blake Snyder Enterprises asked me to do a beat sheet of THE KIDS ARE ALRIGHT for the Save the Cat website, which they...
read moreAs I watched this very enjoyable movie recently, I found myself trying to identify the main character, central story problem, and...
read moreEver since an established producer recommended I read Blake Snyder’s Save the Cat, I’ve found it to be an essential...
read moreI’m interviewed this month on Pilar Alessandra’s “On the Page” podcast. You can hear the first fifteen minutes...
read moreI just cross-posted yesterday’s thoughts about writing miniseries on spec on the SCRIPT MAGAZINE website, where they asked me to...
read moreIn my work as a consultant, I often meet screenwriters who are hoping to get into the marketplace with an idea for a potential...
read moreI found this week’s MODERN FAMILY (“Strangers on a Treadmill”) to be a good example of how bare bones a...
read moreI’ll be presenting two workshops this coming Saturday at this great annual event where I spoke last year. Writers come from...
read moreHere are details on the three classes I’ll be offering next month at the 2010 Screenwriting Expo (Oct. 7-10 at the LAX Hilton)....
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