Don’t withhold; reveal, ...

Aug 2, 2011 by

A writer I work with as a consultant recently shared a phrase with me that came from her friend Craig Hammill (thanks, Craig!),...

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What makes a good series idea

Apr 11, 2011 by

In my work pitching series ideas and writing pilots (and on good days, selling them to networks such as NBC and Fox), I've learned a few things about what they're looking for, and what makes an idea sellable - as well as what a successful pilot script tends to include...

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Writing from a subjective POV

Jan 21, 2011 by

The single most devastating note I could ever hear on one of my scripts (if readers were brutally honest enough to say it), would be,...

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SAVE THE CAT genres

Nov 26, 2010 by

Ever since an established producer recommended I read  Blake Snyder’s Save the Cat, I’ve found it to be an essential...

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Writing miniseries on spec

Oct 25, 2010 by

In my work as a consultant, I often meet screenwriters who are hoping to get into the marketplace with an idea for a potential...

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WGA guide to Television Writin...

May 27, 2010 by

In my coaching and consulting I help a lot of writers with original series ideas: evaluating concepts, reading pilots, and sharing my...

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Passion. Openness. Persisten...

Apr 24, 2010 by

I guess I’ve become a fan of acronyms. First, it was “CURE”: what I think we as writers should aim for with every...

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Blake Snyder’s “5-...

Mar 24, 2010 by

For those of you who use the Blake Snyder Beat Sheet (which I highly recommend, and use when I consult with writers), I recently came...

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Main characters and DRAMATICA

Nov 25, 2009 by

One issue I commonly find in scripts I read is a lack of clarity on whose emotional point-of-view the story is being told through.  I...

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Loglines and SAVE THE CAT

Oct 29, 2009 by

Most story (and series) ideas fail at the level of concept.   Sad, but true.  I’ve learned this the hard way.  Of course,...

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