Who is My Antagonist?

Who is My Antagonist?

Many writers believe their story needs a villain — a single character who is the main source of opposition in the story, or the primary “bad guy.” Since arguably all stories have a “protagonist,” don’t they all need an “antagonist”? I don’t believe they...
Institutional-ized

Institutional-ized

When developing a screenplay (or series) idea, I’m always looking for what the main problem is. The one big problem that is really hard to solve, which becomes the main focus of the narrative. It should have huge stakes, which are not just internal, but external in...
Rite of Passage

Rite of Passage

My favorite thing about Blake Snyder’s Save the Cat screenwriting books is his theory that successful movies tend to each fall within one of ten specific types of stories. These ten “genres” can be a hugely helpful tool for screenwriters at the all-important concept...
The 8 Story Problems

The 8 Story Problems

There are only so many types of situations a human being can be in, that are big and relatable enough to base a movie on. As I see it, successful scripts generally have one of 8 essential challenges or story problems for their main character, when you boil them down...
Unlikable Main Characters

Unlikable Main Characters

With the rise of somewhat unlikable main characters in cable dramas like The Sopranos, Breaking Bad, and True Detective, anti-heroes are everywhere.  We don’t need to “sympathize” or even “root for” the main character(s) in a story anymore, it seems — as long as...