Test, Clarify
and Strengthen
Your Story
Work with Emmy Award-winning screenwriter Erik Bork
Best known for my work as a writer/producer on HBO’s Band of Brothers, I help writers evaluate their story at a fundamental level and identify what needs to change to make it work, from the earliest idea stage through a finished draft.
Script Consulting
Get a professional evaluation of your story idea or script, with clear insight into its underlying strengths, weaknesses, and structural choices.
Coaching & Mentoring
Work with me over time to develop and refine your story through in-depth guidance on structure, character and execution.
The Idea
4.7/5 stars (read reviews)
“Before starting any project, every film or TV writer, whether new or experienced, should read this book. When Erik sent it to me, I was just beginning a new script. This book showed me problems with the idea I didn’t know I had. Better yet, it showed me how to find solutions.”
GRAHAM YOST – Writer, Executive Producer & Showrunner of Justified, The Americans, Silo and Speed
Before You Start Your Next Script
Featured on Film Courage
Insights on Story and Screenwriting
Why “Flying Wrestler”?
The movie that first made me think of "screenwriting" as a future career pursuit was The World According to Garp, adapted by Steve Tesich from the...
Character Change
"The main character is the one who changes." I've heard this many times over the years, early in my education as a writer and then from others who...
Lovable Losers
When in doubt, make your main character a lovable loser. That's the lesson that was driven home to me by the new FX/Hulu comedy series Adults. In...
Dimensional Characters
When I finish writing the first draft of a script, there's usually a problem. I read it, and the characters seem flat. One-dimensional. Mere pawns...
The PROBLEM in How to Train Your Dragon
I assess stories through 7 criteria that ideally characterize the central PROBLEM for the main character: Punishing. Relatable. Original....
One Undeniable Script
Writers often ask if they should have a portfolio of good scripts at the ready. In case some manager, agent or producer asks “what else have you got?” Which they definitely will.
10,000 Hours of Screenwriting
I've done the math, and I think I've logged 10,000 hours of screenwriting. Probably years ago, actually. So does this mean I have mastery?You've...
Get my 10 Key Writing Principles
The 10 key principles of writing I’ve learned over my professional career as a screenwriter.






